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FetHead vs Cloudlifter SM57

Best Preamps for the Shure SM57 - Our Roundup TS

  1. The Fethead tends to retail at a lower price than the Cloudlifter too so definitely worth a look. Both are great options for use with the SM57. Check the price on Amazon here. For a more in-depth look at both the Cloudlifter and FetHead, see our article on Cloudlifter alternatives. Best Outboard Preamps for the SM57
  2. Whether you need an in-line preamp like a Cloudlifter or FetHead depends on a few things. In this video I will explain under which circumstances you can bene..
  3. The Best Mic Activators & Cloudlifter Alternatives. 1. Triton Audio FetHead (Best Value) After the CL-1, Triton Audio's FetHead is undoubtedly the most popular low-noise, in-line preamp for dynamic and ribbon mics. Its claim to fame is its simplicity, small footprint, and modest price tag
  4. Triton Audio FetHead (for a full comparison, see our FetHead vs Cloudlifter article) You'll have probably noticed that both of these options are the two at the lowest price points. That's because all of the alternatives we've covered do largely the same thing - provide clean, transparent gain

I recently discovered threads on Gearslutz discussing the potential benefits of using an in-line signal booster before a prosumer grade preamp such as on the Zoom H6 digital recorder.Two examples are the Cloud Microphones Cloudlifter and the Triton Audio FetHead.As I understand it, this device boosts the mic signal by 20db or so, which helps lower the noise floor for ribbon and dynamic mics Hey all - in this video I take a look at the Cloudlifter CL-1 vs the Triton Audio Fethead. Both of these devices do the same thing...slightly differently. If.. Re: fethead vs cloudlifter CL1 by rec-tec » Mon Jul 14, 2014 8:55 pm done a bit of vox recording with the fethead and a bog standard sm57 and the results are a very intimate sound. really breathes new life into this old workhors What the CloudLifter and other devices do is provide good clean gain. Dynamic mics like a lot of gain compared to condenser mics for example. Some mics, the Shure SM7b is always held out as an example, require a lot of gain. If you aren't getting enough clean gain to drive your mic, a CloudLifter or FetHead can provide 25-27 dB of additional gain Podcaster. I run my SM7B through a Fethead and into the Scarlett Solo 2nd Generation. Very happy with the sound quality. I've never used a Cloudlifter though I've heard they're good too. 1. level 2. Laurits_Brandt. Op · 1y

Do you really need a Cloudlifter or FetHead? (ft

  1. Check out Best Cloudlifter Alternatives (Fethead vs Dynamite vs Durham vs McBoost) next! cloudlifters microphones preamps xlr. Vinny Kaul. Bassist, Guitarist, Songwriter, Teetotaller Vinny, a bass player from India, is equally adept at yoga, fingerstyle guitar, and sipping tea. He is a seasoned session player who has toured with bands across.
  2. The cloudlifter made a significant difference. Imo a cloudlifter is great to have and can bring life to dynamics you didn't know they had. In practice I've found that without a cloudlifter I need to run the sm7b about 9-10db hotter than something like an sm58
  3. To follow up on Charles's spot on insight, jump on YouTube & find _Cloudlifter vs. Fethead vs. SS1 vs. Durham vs. McBoost Comparison (Versus Series)_ , 2017-09-29, by Podcastage. The Cloudlifter CL-1 isn't the only or cheapest option which solves this problem
  4. With most affordable interfaces you are rather in the range of 45 dB to 55 dB, though. However, in case of the equivalent input noise being at least -128 dB you should probably be fine boosting the signal via software. In line preamps like the Cloudlifter, FetHead or DM1 do not necessarily improve the noise performance
  5. FetHead is an ultra-low noise, high quality, in-line microphone preamplifier. It provides improved sound for ribbon and dynamic microphones. Small, compact, but, powerful, Fethead utilizes tried and true FET technology to deliver up to 27dB of clean boost. No more cranking your mic preamp and adding unwanted noise to get your microphone to an.

Cloudlifter Alternative Shootout (Fethead vs Dynamite vs

We recommend the FetHead in-line preamp from Triton Audio. It's cheaper than the Cloudlifter, and is designed to improve signal to noise ratio and provide +29dB gain. It's also really small and allows for a minimal and stream-lined cable setup. Yes, that's right, it offers more gain for less cash. That works for us Thanx for the A2A Haven. That combination should give you enough headroom for sure. The Shure SM7B is a dynamic microphone that is infamous for being low output, but an excellent vocal and instrument mic. Most of Michael Jackson's vocals were reco.. Royer SF-12 with Fetheads vs. Royer SF-24: I wonder how the Royer SF-24 active stereo ribbon would compare to the passive Royer SF-12 run through FetHead or Cloudlifter impedance matching preamps? Does anybody have experience of comparing first hand? Is SF24 quieter? Better sounding? Or maybe not? Comments very much appreciated

If you decide to still get an inline mic booster the Triton FetHead is also worth considering and a bit more budget friendly than the Cloudlifter. I use a FetHead with an SM7b, RE20, and a couple other low output dynamic mics as well a cheap MXL ribbon mic. It works well and gives a clean quiet boost Rode PodMic vs Rode Procaster No more ambient noise with Cloudlifter or FetHead? (audio myth debunked Shure SM58, Shure SM57 - Duration: 11:43. The Enthusiasm Project 26,289. Or they buy a Fethead / Cloudlifter CL-1, an inline gain booster that uses the phantom power from your interface to add +25dB of gain. The DBX is the better buy, it's $50 more but you get a 60dB preamp with a compressor, de-esser, exciter, expander/gate. Last edited: Feb 13, 2019

Cloudlifter Alternatives - Our Gain Booster Roundup TS

A few years back I heard about in-line mic level boosters like the Cloudlifter, the FetHead and others. My ears pricked up and I read favourable reviews, but the reviewers were using prosumer preamps where the added gain from an in-line booster would almost certainly deliver better results than running the preamp flat out The cartridges the SM57 and SM48 use are different, but the SM48 without the transformer purportedly has similar characteristics of the SM57 with the transformer removed, that of a crisper high end. The output of the SM48 is 1.3 mV/Pa, so it's down around what the SM7B's output is and would likely benefit from an inline FetHead or Cloudlifter

Experiences using Cloudlifter or FetHead on loud sound

The FetHead from TritonAudio is a low-noise, in-line microphone preamplifier that provides improved sound for ribbon and dynamic microphones. The electronics are housed in a metal chassis with a balanced 3-pin female XLR input and a balanced 3-pin male XLR output. It is suitable for use at home, in the studio, on tour, and more Big vs Small wind covers: I like the SM7B for Streaming and VO tasks, especially in the summer when you must keep the AC on. The Triton Fethead paired with an SM7B will sound as good as the Cloudlifer, yet it is cheaper and more practical in many ways. TIP: You can also connect the Fethead on the Preamp side The TRITON AUDIO FetHead in-Line Microphone Preamp works perfectly boosting db by 15db to 20db, Sound Quality is perfect. It's helping my new EV-320 dynamic microphone, both are now connected to RodeCaster Pro audio interface. Good gain boosts with NO noticeable noise. I could not be happier with this FetHead in-line XLR preamp One of the first questions that people have when they setup their Shure SM7B is Does the SM7B need 48v of Phantom Power. There are two different answers to this question, depending on your setup. Quick Answer: You do not need 48v of phantom power for the Shure SM7B unless you are using an inline preamp like a CloudLifter, Fethead, Dynamite, etc A Shure SM57 or SM58 for instance, sounds more responsive over a broader frequency range. When mated with a high-end dynamic microphone like a Sennheiser MD441, or Shure SM7 FetHead really shines. Ribbon microphones benefit greatly too because of a much better impedance match, which lessens the load on the microphone, thus giving it better.

Shure SM57. Many engineers call this the desert island microphone. It can record pretty much anything you put in front of it and at a good quality. It couples nicely with a Cloudlifter CL-1 or CL-2, Radial McBoost, Triton Audio FetHead or the Cathedral Pipes Durham. Michael Joly Microphones So I went online and bought a FETHEAD preamp (similar to a cloudlifter but smaller and about $100 less - same circuitry). With the FETHEAD I was able to reduce the gain on the SM57 to 6 out of 10 and with 7B I could cut it to 7 out of 10 - but man, with the clean boost from the fethead and the reduced gain, the SM57 came alive Keep in mind, these gain settings are with a Cloud lifter or Fethead. Without the inline signal boost I needed 9 out of 10 with the SM57 vs 7 out of 10 with the 935. This mic is a winner on all fronts. For vocalists it's renowned but it's also just fantastic for those of us who simply record spoken word. GET IT - You wont be sorry

Cloudlifter vs FetHead: Which Mic Activator / Gain

SOS Forum • fethead vs cloudlifter CL

User ManualSennheiser e835 vs Blue Encore 100i Cloudlifter vs Fethead on Sure SM58 Shure SM58 vs SM57 for Vocals Shure SM58 vs Blue Yeti: Audio ComparisonTop 5 Microphones | For Singers | Thomann Recording Vocals in your Home Studio - Part 3: Comparing Page 9/4 Microphone Preamp for Dynamic & Ribbon Microphones XLR input and output, Adjustable gain, Gain - Full / Half: +26 dB / +20 dB, Gain variable: +4 dB to +25 dB, Class-A amplifier, Operation with 48 V phantom power, Robust metal housin Review Shure SM57 vs SM58 for Spoken Word - Blind Page 5/47. Read Free Shure Sm58 User Manual Audio Comparison, Samples, and Review How Much Time Do D5 vs Sennheiser e835 vs Blue Encore 100i Cloudlifter vs Fethead on Sure SM58 Shure SM58 vs SM57 for Vocals Shure SM58 vs Blue Yeti: Audio ComparisonTop 5 Page 10/47. Read Free Shure Sm5 Spark / Shure SM7b - MIC TEST (studio-inside production) HD BLIND DYNAMIC MICROPHONE SHOOTOUT: Shure SM58 vs AKG D5 vs Sennheiser e835 vs Blue Encore 100i Cloudlifter vs Fethead on Sure SM58 Shure SM58 vs SM57 for Vocal Cloudlifter and it's siblings are FET based, eg very high impedance. Not suited to get the best out of a ribbon. Dynamics are a different story. An SM57 isn't really suited to hear the difference, as it's FR curve is already a bumpy ride

If you're buying the fethead or cloudlifter to lower your noise floor, you will have to determine if 4dB of noise is worth $100 - $150. I should also point out that the 18i20 has an Equivalent Input Noise of -128dBA, so if the EIN of your interface is lower, for example -130dBA, the benefit would be less noticeable (about a 2dB improvement of. The Rode Procaster appears to have a sensitivity of 1.6mv/PA, which the same as an SM57, so not quite as bad as the SM7b at 1.12mv/PA. The Cloudlifter or a similar device such as the Fethead would certainly give a boost of the signal and reduce the need for the interface gain to be set at max The SM7b is far too quiet without the Fethead, with it, its the better sounding of the 2 on the male vocalist I record the most - the Stealth sounds a bit 'hard' and even in its dark setting is a bit brash to my ears, although I would say the singer in question is quite harsh in the 4-5K regio The five mikes are a Shure SM57, Audix I5, Sennheiser E609, MXL R40 ribbon and a MXL Guitar Cube (condenser). so you might want to invest in a Fethead or Cloudlifter (both are inline preamp boosters) if you're preamps don't have a lot of gain or headroom. I am associated with Audix, so I am biased. What I like about the I5 vs 57 is. the. In summary, as great as the Procaster is, it's much better if you have (or plan to acquire) a Cloudlifter or FetHead. Whilst some of the interfaces included below can provide a good amount of gain, adding a mic activator to your setup will provide the clean gain needed to let the preamps of your interface perform at their best and this is the.

For most, an inline preamp like the Cloudlifter or Fethead will be a great choice - they're portable, convenient and low cost. Yes. Bundle offer comprising. SM57: Can I use it as a vocal mic? Board-Mitarbeiter. sm57-3. You can definitely record excellent-sounding vocals with an SM57 if you know what you're doing. If it was just a raunchy punk band it probably wouldn't matter much about. Fathead + SM57 is a winning combination, and a fraction of the cost of a $1200 Royer. Each provides a complimentary emphasis to the other, giving a nice full range sound. Like others said, watch the phase. Align the ribbon element with the diaphragm of the 57 the same distance from the grill cloth

Do you need a Cloudlifter or FetHead? The answer!!! (ft

  1. Cloudlifter £150. This in-line preamp provides up to +25dV of clean gain and, like the Launcher, is a simple plug-and-play device. Discrete JFET circuitry preserves the source sound while keeping the direct audio path clear of transformers, capacitors, and resistors. Triton Audio FetHead €6
  2. SM58, SM57, and SM7b comparison into a 2i2. He did not use a Cloudlifter, but boosted the audio in his software I believe. Can you hear the difference? SM7b >>> Cloudlifter >>> Focusrite 2i2 >>> Computer I'm 'cheap'. I bought a Triton FetHead instead of a Cloudlifter, less $$$. I'm happy with the FetHead
  3. Pictured at right is the lineup of ribbon microphones in our shootout. A few mics didn't make the photo, for various reasons: the AEA R84, the RCA KU-3A/10001, and Ryan Canestro's Apex 210. I'm willing to bet very few of you can name every mic in this photo. By way of contrast, Randy, Ryan and myself can probably name them all blindfolded
  4. Rode K2 and Potential Gain Problems with Shure SM7b Yesterday I started testing the Rode K2 and the Shure SM7b. Very interesting 'results', which I will post more about later on. I have run into the problem that a lot of people seem to encounter with the SM7b, which is a difficulty in getting..

Fethead vs Cloudlifter For Shure Sm7 B and into the

What Does A Cloudlifter Do (And Do You Need One?

  1. Cloud Microphones Cloudlifter CL-1 Mic Activator. $159. 4354. Shure SM57 LC. $93. 215. EV RE20 RE-Series. $545. 4352. Shure SM58 LC. $98. 26. not even a fethead. The Goxlr is more than enough and I have to even tone down the amount of power I send to it. much more than the sm57. For vocals, I use it with a GAP Pre73 mkiii that provides.
  2. Something like a fethead or cloudlifter can narrow the gap that way. I don't see much value in shootouts where someone says Hello, test, this is a mic preamp through a bunch of different varieties. Evaluating gear requires you to put it through its paces over time, in context
  3. Find many great new & used options and get the best deals for JFET Microphone Preamplifier (Fethead, Cloudlifter, SM7, SM7B, MD421, MD441) at the best online prices at eBay
  4. al sensitivity in the active mode as 150mV/Pa, which is a lot, but again there is a variation of 8dB or so depending on the tone setting. For comparison, a high-output capacitor mic, like the Sennheiser MKH40, is typically around 25mV/Pa, so the active Stealth is between 12 and 18dB louder than that

Does the Shure SM7B need a Cloudlifter to record? The

I'm able to drive my SM57 clean at 9 of 10, the SSL has a 62dB of preamp gain, vs 42bD on the Scarlett 2i2 I believe. This should also be able to drive the SM7B without a Cloudlifter / FetHead. I would give this five stars if it had the following. Podcasting Basics, Part 1: Voice Recording Gear. Intro from Jay Allison: Much of the TOOLS advice on Transom is for both broadcasters and podcasters. The technical worlds overlap. But with the resurgent interest in podcasting, Jeff Towne is embarking on a new series of features targeted to podcasters. In this first super-detailed column, Jeff. If used on quieter acoustic guitars and gentle vocals, a preamp offering 65dB gain or more would be helpful, but an inline gain stage (like a Cloudlifter or FetHead) could also be used if necessary. At 100Ω, the nominal output impedance of the R-10 is lower than most microphones, which are typically either 150 or 200 Ω

SM57 vs SM58: The best mic for podcasting? - Ten Kettle

  1. On the SM7's I have I installed the same type of up transformer used in the sm58 to get it to behave like an sm58 on whatever mic preamp I use. If the mic pre sounds good with an sm57 or sm58, it sounds good with the modified sm7b. No cloudlifter needed
  2. TritonAudio FetHead. £58. 373. AKG C214. £249. 186. Cloud Microphones Cloudlifter CL-1 Mic Activator. £135. 4354. Shure SM57 LC. £79. 215. EV RE20 RE-Series. £469. 4352. Shure SM58 LC. £85. 26. much more than the sm57. For vocals, I use it with a GAP Pre73 mkiii that provides more than enough gain. For loud sources like drums and amps.
  3. TritonAudio FetHead. 68 € Cloud Microphones Cloudlifter CL-1 Mic Activator. I like it a lot on guitar and bass amps, much more than the sm57. For vocals, I use it with a GAP Pre73 mkiii that provides more than enough gain. For loud sources like drums and amps, my Focusrite Scarlett and Presonus D8 preamps have provided plenty of gain.
  4. This and its newer cousin the SM57/58's is the de facto, quintessential, rock 'n roll recording microphone. You really don't need much more than 50 DB of gain for rock 'n roll recording. The reason why the gain trim seems so touchy is because it is a linear taper type and not an audio taper type potentiometer a.k.a. volume control
  5. There is no additional gain in a Beta58 than an original Sm58. A Shure Beta58 is just a different sounding microphone than a Shure SM58 due to its microphone polar pattern. An Sm58 microphone picks up a broader sound due to its cardioid pattern, m..
  6. The sE Electronics DM1 Dynamite is an active in-line preamp that boosts the signal of your passive ribbon and dynamic mics by a robust 28dB. Inserted between a passive ribbon or dynamic microphone and a mic preamplifier, the DM1 will also reduce the possibility of interference, while providing a healthy level to your preamp — without any.

Which Preamp For Sm7b? Audio Science Review (ASR) Foru

Shure SM57 LC. $95. 144. beyerdynamic M88TG. $279. 186. Rode PodMic. $105. 94. Millenium MS 2014. For this reason I thoroughly recommend purchasing either a Cloudlifter or Triton Fethead alongside this mic. These products provide a clean gain boost by utilising the phantom power in your preamps (it does not feed the signal to your mic so. Cloud Microphones CL-1 Cloudlifter 1-channel Mic Activator Features: Provides up to 25dB of noise-free amplification; your low-output mics will come to life. Turns any microphone preamplifier into a studio-quality ribbon pre. Boosts the signal at the source, so long cable runs won't sap the signal's vitality TritonAudio FetHead. 69 € Cloud Microphones Cloudlifter CL-1 Mic Activator. I like it a lot on guitar and bass amps, much more than the sm57. For vocals, I use it with a GAP Pre73 mkiii that provides more than enough gain. For loud sources like drums and amps, my Focusrite Scarlett and Presonus D8 preamps have provided plenty of gain. Shure SM57 LC. 339 AED. 78.99 € 145 For this reason I thoroughly recommend purchasing either a Cloudlifter or Triton Fethead alongside this mic. These products provide a clean gain boost by utilising the phantom power in your preamps (it does not feed the signal to your mic so there is no danger to your mic). Since I have done this it has.

Post navigation sm7b vs re320. Posted on February 20, 2021 by February 20, 2021 b How To Fix Quet USB Output on Yamaha MG10XU. Plug your microphone into any channel. Turn on Phantom Power if you're using a condenser microphone. Turn the Level (bottom white knob) up to the triangle position. Increase the gain until the meter goes up to 0 (without going over) when you are speaking normally. If the meter is hitting 0 when you.

Total price: CDN$739.15. Add all three to Cart. These items are shipped from and sold by different sellers. Show details. Buy the selected items together. This item: Shure SM7B Vocal Dynamic Microphone, Cardioid CDN$510.00. In Stock. Sold by RPSB Tech and ships from Amazon Fulfillment. FREE Shipping The best price for Shure SM7B right now is $873.95. Shure SM7B Cardioid Dynamic Vocal Studio Recording Microphone. To get a nice sound from Shure sm7b you need very high sensitive preamp. Compare top models from Shure Philippines such as the Shure SM7B, and Shure SM58 Rode NT1 vs Rode NT1a Comparison (Versus Series) Rode NT1 vs Rode NT1a Comparison (Versus Series) x. Rode NT1 vs Rode NT1a Comparison 8:03. Today we compare two popular microphones for home studios and voice over; the Rode NT1 and Rode NT1a to determine which is the best, and which one is right for you. SM57 - Synths and Controllers. Dynamic Speaker and Recording Microphone Polar pattern: Cardioid, Frequency range: 50 - 20,000 Hz, Sensitivity -59.0 dB (1.12 mV), Bass roll-off switch, Mid-boost switch, Impedance: 150 ohms, Shielding against electromagnetic interference, Swivel.. Hows it goin all. Ive decided to buy an XLR mic as an improvement to my home setup, but Im stuck on what kind of setup I should be going for here. Theres a bit of either non-clear or contradictory advice around it, but Im hung up: For the actual microphone: 1. AT2035 - $149. 2. Rode Procaster - $..

Hi sorry for basic question..hope someone can help me /humour me !! I have got a Reslo rva ribbon mic. SOmeone gave it to me years ago and it reall 00:00:00 Gig Gab 300 - Monday, April 19, 2021 00:03:44 Gigging in the new scene All-time record tip day Bose L1 Pro16 Mackie REACH Shure SM7B CloudLifter FetHead 00:17:10 SPONSOR: Upstart. Whether it's paying off credit cards, consolidating high-interest debt, or funding personal expenses, Upstart looks at more than your credit score and.